News

Alison Jones’ Heartwood

At our January meeting, Ali read to us from her first collection Heartwood (Indigo Dreams), followed by a very interesting discussion, including writing about nature and memories, what it is like to bring out a first collection and how to make a relationship with a publisher. For those who may have missed Ali’s reading – you can find it at https://www.indigodreams.co.uk/alison-jones/4594492474.

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Infinite forms

 

Back Room Poets with the Oxford University Museum of Natural History will be hosting an evening of poetry on the theme of natural history to celebrate National Poetry Day 2018 (4 October), entitled Infinite Forms. Back Room Poets and friends will be reading a selection of newly written poetry inspired by the museum’s collections. An open mic at the end of the event will offer the opportunity to others who would like to read their own poems inspired by natural history.

Stanza Two members are cordially invited to participate in the themed reading and also in an introductory visit to the Museum on 5 September (spaces for the introductory visit are limited).  If you are interested in both or only in the reading, please send a mail to brp.committee(at)googlemail.com or otherwise contact organizers Inge Milfull or Sarah Watkinson.

Details for the reading Infinite Forms:

Time and date: Thursday, 4 October 2018, 7:00 pm – 8:30 pm
Venue: Oxford University Museum of Natural History, Parks Road, Oxford OX1 3PW
Free entry, for tickets see: https://www.eventbrite.co.uk/e/infinite-forms-tickets-49212572128

Reading and Workshop with Jane Draycott and Veronica Beedham’s book launch (10 March)

Back Room Poets present a poetry reading featuring Jane Draycott and also featuring the launch of Veronica Beedham‘s pamphlet A Sense of Place (Overton Prize 2016), with Back Room Poets members  Mark Leech and David Olsen.

Saturday March 10th, 2018 at 7PM
Friends Meeting House 43 St Giles, Oxford. OX1 3LW
Entrance £ 4.00 (£2.00 BRP Members)

Workshop with Jane Draycott
A workshop will take place from 3-6pm at the Friends Meeting House (43 St Giles’, Oxford OX1 3LW), also on 10 March.
There will be an upper limit of 14 full participants (that is, with poems to be workshopped), although it will be possible for others interested to attend as audience-only.

Please submit your poems for consideration by email to Agnes Kocsis at aekocsis@googlemail.com by 20 February. Poems can be on any theme. They will be selected with a view to obtaining a good balance for productive discussion as well as quality. You will be notified of your poem having been selected by email.

The fees will be: full participation (workshopping a poem): £20 (concessionary rate for BRP members: £15); participation as audience-only: £5. All fees to be paid on the door on the day.

Reading with Tony Curtis

Back Room Poets present:
a poetry reading featuring 
Tony Curtis
with John Daniel, Louise Larchbourne, Gina Wilson and Merryn Williams
 
Thursday 12th October, 2017 at 7:30 pm
 
at the Albion Beatnik Bookstore (34 Walton Street, Oxford, OX2 6AA)
 
Admission: £ 4.00 (BRP Members £ 2.00)

“Terra firma, or all at sea?”

Dorothy YamamotoDorothy Yamamoto and Sarah J Bryson will be running a poetry workshop day at Kirtlington Village Hall, OX5 3HJ on Sunday 15th October, from 10 am for 10.30 until 15.30.  For more detail go here

Dorothy  writes: “We would love you to come along! If you have any questions, please ask me or Sarah!”

Come and join us in the village hall, for a relaxed day full of writing exercises, writing time, sharing and discussion in a supportive group. The village hall is surrounded by playing fields and a country estate and there is plenty of parking.SJBDSCN9390

Tea, coffee and biscuits provided. Please bring a contribution for a sharing lunch.

COST: £25 per person, pay on the day (cheque or cash) For enquiries and bookings please contact Dorothy on dorothy.mccarthy@btopenworld.com or on 01865 247661.

 

 

 

 

Two Upcoming Events in March

3 March

Jennifer McGowan’s new collection With Paper for Feet will be launched by Arachne Press in Oxford on Friday 03/03/2017 at 7.30 at the Albion Beatnik Bookstore.

About the collection: With Paper for Feet is themed and narrative, drawing together Jennifer A. McGowan’s poetry of myth and folktale, and the frailties – human and otherwise – behind them. With Paper for Feet explores, mostly from a female perspective, the guts it takes to live or – often -die, un-heroically. her characters laugh, argue,  complain, suffer, curse, aware that more is expected of them, but unwilling to play up. Jennifer explores many voices including the women of Troy & many of Shakespeare’s characters, as well as poems based in other cultures including France, Africa & China.

17 March

Back Room Poets & Members of the University Church Choir in:
The Pity of War
Reflections, memories & experiences of war and its aftermath.
In support of Parkinson’s UK Oxford branch and the Endeavour Fund for wounded soldiers.
Devised by Jenyth Worsley with Louise Larchbourne, Elizabeth Birchall, Mark Leech, Inge Milfull, David Olsen, Merryn Williams, Gina Wilson and Felix Leach, Julia Hollander, Lucy Matheson, Katie McMullin (Harp), Peter McMullin.

Guest Reader: Paul Mayhew Archer

Venue: University Church of St Mary the Virgin
High Street, Oxford. OX1 4BJ

Time: 7:30pm Friday 17 March, 2017

Entry: £ 15.00, Concessions £10.00
at the door, or from http://www.ticketsoxford.com

Reading with Kieron Winn tomorrow

Back Room Poets present a poetry reading
featuring Kieron Winn, reading from his collection The Mortal Man
with Rip Bulkeley, David Olsen, Sarah Watkinson and Pat Winslow
Friday 3rd February, 2017 at 7:30 pm
at the Albion Beatnik Bookstore (34 Walton Street, Oxford OX2 6AA).
Admission: £ 4.00 (BRP Members £ 2.00)
Clive James on Kieron Winn’s work:
‘The level of craft in these poems is a delight. Meticulous balancing means that a seemingly straightforward line rides on a wave of its own music, and the stanza jump (it needs a name: the hitch-kick?) has redoubled force when a line is succeeded only after a deep pause for breath. Larkin, of course, was a master of that manoeuvre, but Winn’s version of it is all his, and particularly seductive in its timing, like a pause and glide in a well-danced tango.’
Clive James